File Name: digital memory and the archive .zip
Create a free account and explore this interactive sample collection. Intro Video. View Reviews and Testimonials. You likely have more keepsake media than you know… … everything you never want to lose that can be digitized for future viewing.
A hub that brings everything together. For while cloud photo sites are great for storing and viewing content, they are simply not designed for building and sharing a family archive.
Every collection page is a table of contents to a rich life. With Collectionaire, each person has a Collection Page, as does each family. Clicking on a square preview image triggers a link and takes you to your content. Think of it as a bit like Pinterest for the family. Your family tree becomes a portal to your content. Building your tree is easy, and you can add just immediate family members or build out your tree to extended family or even hundreds of ancestors.
Once created, clicking on any person takes you to their Personal Collection Page. Clicking the link icon connecting a couple takes you to their Family Collection Page. This intuitive navigation is so easy that even the least-technical family members can find all your memories. Now every family member can view your best memories anywhere, any time, on any connected device.
And if your photos are not yet organized, or home movies are sitting on a shelf as video tapes or DVDs, we will guide you to getting them organized and shareable with the entire family. Sharing your collection is easy. Simple permission settings give you complete control over which media items you allow others to see and which stay private.
And you can grant selective edit privileges to friends and family members to add to your collection. How does Collectionaire index all your media but not store any of it?
Then, when the preview image is clicked, it takes the viewer to the media in the other cloud site. Start building your collection now with free tier 1 pricing. Pricing is then based upon the number of Albums linked to your collection. Basic Plan Build your tree for free, plus up to Linked Albums.
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The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". In addition to its archiving function, the Archive is an activist organization, advocating a free and open Internet. As of February , the Internet Archive holds over 29 million books and texts, 8. The Internet Archive allows the public to upload and download digital material to its data cluster, but the bulk of its data is collected automatically by its web crawlers , which work to preserve as much of the public web as possible. Its web archive, the Wayback Machine , contains hundreds of billions of web captures. The Archive is a c 3 nonprofit operating in the United States. The Archive is headquartered in San Francisco, California.
This is the list of documents relative to the 13th Meeting of the International Advisory Committee for the Memory of the World Programme that is organized in Paris, France, October Download Acrobat reader to open the PDF documents files. This is the list of documents relative to the 10th Meeting of the International Advisory Committee for the Memory of the World Programme that is organized in Manchester, United Kingdom, on May This is the list of documents relative to the 9th Meeting of the International Advisory Committee for the Memory of the World Programme that was organized in Bridgetown, Barbados, on July This is the list of documents relative to the 8th meeting of the International Advisory Committee for the Memory of the World Programme that was organized in Pretoria, South Africa, on June This is the list of documents relative to the 7th meeting of the International Advisory Committee for the Memory of the World Programme that was organized in Lijiang, China, on June This is the list of documents relative to the 6th meeting of the International Advisory Committee for the Memory of the World Programme that was organized in Gdansk, Poland, on 28 - 30 August
Instead, it reveals the technological conditions of our contemporary techniques of memory and time. The archivological approach focuses on the infrastructure of media historical knowledge. Different media systems, from library catalogues to micro-filming, have influenced the content as well as the unders Different media systems, from library catalogues to micro-filming, have influenced the content as well as the understanding of the historical remains of the archive itself. Alphabetic writing which has dominated the archive for centuries has dramatically been challenged by signal recording photography, the phonograph, cinematography and puzzled the archivists at the beginning of the age of media reproduction. Now, in the digital age, we are faced with further challenges concerning cultural memory, remembering and forgetting. Time is not registered only through historical writing but also through the microtemporality of the machines themselves.
Digital Memory and the Archive, the first English-language collection of the German media theorist's work, brings together essays that present Wolfgang Ernst's.
Held in Dundee at the end of , the conference was hosted by the Centre for Archive and Information Studies at the University of Dundee and supported by the Royal Society of Edinburgh. The conference was part of a series of events organised by an interdisciplinary research network funded by the RSE and followed the successful Philosophy of the Archive conference, papers from which were published in Archival Science 9, 3—4, Footnote 1 Archival literature frequently refers to the concepts of memory and identity but often without examining fully what these terms mean or the nature of their relationship to archives.
Digital objects objects are computer files that can be uploaded into and displayed by AtoM; they can include scanned images, digital photographs, sound and moving image files, and other scanned or born-digital items. AtoM allows the user to link a single digital object to an archival description or an an authority record , or import multiple digital objects to new lower levels of description. In AtoM, there is a relationship between a digital object and an information object - meaning every digital object must be associated with an archival description , typically at the file or item level see level of description , or an authority record. For every object uploaded, AtoM creates two derivative objects from the master : a thumbnail image and a reference display copy of the object. The master digital object is the unaltered version of a digital object that has been uploaded to AtoM. Note that only authenticated i.
The American Archivist 1 September ; 80 2 : — One of the most exciting trends in archives today is the realization that the histories of marginalized or overlooked subcultures are, in fact, worth remembering. This trend provides a wonderful opportunity for archivists to exponentially expand the richness of the overall cultural record, by working proactively to capture, preserve, and make available documentation generated by these subcultures. We have begun in earnest to break free from the traditional model of documenting elites and notable figures or institutions at the expense of hitherto ignored or fringe voices.
Coming soon. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society. Digital Memory and the Archive offers the most compelling and insightful account published to date of how and why objects matter. Moving beyond textual analysis, its careful, theoretically rigorous engagement with the relic—the physicality of the archive—promises to change the direction of the digital humanities. Thanks to this book, we will all now be addressing the microtemporality of archives and the mechanics of remaining. Finally, a definitive collection in English of one of the most brilliant and influential media archaeologists. In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states.
Article Information, PDF download for Book Review: Digital Memory and In Digital Memory and the Archive Jussi Parikka introduces the first.
Я из тех, кто добивается своей цели. Стратмор наклонился и, зачерпнув воды, смыл со своих рук частицы плоти Чатрукьяна. Его мечта о Цифровой крепости рухнула, и он полностью отдавал себе в этом отчет. Теперь у него осталась только Сьюзан.
Он впутал в это дело Сьюзан и должен ее вызволить. Голос его прозвучал, как всегда, твердо: - А как же мой план с Цифровой крепостью. Хейл засмеялся: - Можете пристраивать к ней черный ход - я слова не скажу. - Потом в его голосе зазвучали зловещие нотки. - Но как только я узнаю, что вы следите за мной, я немедленно расскажу всю эту историю журналистам.
Смотрите сюда! - Он попытался поднять левую руку. - Кто теперь напишет материал для моей колонки. - Сэр, я… - За все сорок три года путешествий я никогда еще не оказывался в таком положении. Вы только посмотрите на эту палату. Мою колонку перепечатывают издания по всему миру.
Но Дэвид знал, что никогда ей этого не откроет. Секрет выражения без воска был ему слишком дорог. Он уходил корнями в давние времена. В эпоху Возрождения скульпторы, оставляя изъяны при обработке дорогого мрамора, заделывали их с помощью сеrа, то есть воска.
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