File Name: tragedy at devils holow and other ky ghost stories .zip
Eliot, the winner of the Nobel Prize in Literature, is one of the giants of modern literature, highly distinguished as a poet, literary critic, dramatist, and editor and publisher. In these college poems, Eliot articulated distinctly modern themes in forms that were both a striking development of and a marked departure from those of 19th-century poetry.
Young Goodman Brown. Plot Summary. Sinners Family and Individual Choice. LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does. Detailed explanations, analysis, and citation info for every important quote on LitCharts. The original text plus a side-by-side modern translation of every Shakespeare play. Sign Up. Already have an account? Sign in. From the creators of SparkNotes, something better.
Sign In Sign Up. Literature Poetry Lit Terms Shakescleare. Download this LitChart! Teachers and parents! Struggling with distance learning? Themes All Themes. Symbols All Symbols.
Theme Wheel. Everything you need for every book you read. The way the content is organized and presented is seamlessly smooth, innovative, and comprehensive. LitCharts assigns a color and icon to each theme in Young Goodman Brown , which you can use to track the themes throughout the work. At sunset in the town of Salem, Massachusetts, a man named Goodman Brown has just stepped over the threshold of the front door of his house.
Faith is wearing a cap adorned with pink ribbons that flutter in the wind. Hawthorne creates a stark contrast between the seemingly perfect young newlyweds and their sinister setting, Salem at nightfall. Active Themes. The Hypocrisy of Puritanism.
Faith pleads with Goodman Brown not to leave her alone all night and instead to set out on his journey at sunrise. Goodman Brown replies, somewhat mysteriously, that his journey must take place between sunrise and sunset, and begs Faith not to doubt his intentions.
Faith relents and gives Goodman Brown her blessing, and he heads out in the street. He looks back one last time and sees Faith watching him sadly despite the pink ribbons on her cap. The threshold of the house symbolizes a turning point, a moment in which Goodman Brown can choose to listen to Faith and stay at home as a good husband, or follow his curiosity and go off alone into the night.
Losing Faith and Innocence. Related Quotes with Explanations. Now walking along on his way, Goodman Brown feels a crushing sense of guilt over leaving Faith , not just because she begged him to stay and comfort her, but because it looked as though, through some dream, she might have figured out what he was intending to do on that night.
He dismisses the thought, though, convinced that no one as pure and innocent as Faith could ever tolerate even thinking about such a thing. Guilt and paranoia are key emotions in the story.
Goodman Brown feels crushing guilt not only because he is abandoning Faith but also because he fears that Faith knows about the sinful purpose of his journey. Even though Goodman Brown just lied to his wife and admits to himself that his journey is evil, he continues to think of himself as one of the Elect, the people who the Puritans believe are predestined by God to go to heaven. He seems to think he can just dip a toe into sin and then draw back, no harm done.
Even so, he walks on until he encounters a mysterious man at a bend in the road. The man casually makes reference to having been in Boston fifteen minutes before.
The forest for Puritans marked both a place of fear and a place of possibility. For Brown, who is walking into the forest expressly out of a sinful curiosity, the forest seems to hide sin everywhere. The forest might also then be seen as reflecting his own mind, full of its own confusions and terrors. The mysterious man hints at supernatural powers by mentioning that he was in Boston just a few minutes before, an impossible feat.
As the two of them walk through the deep forest in the darkening dusk, the narrator describes the man as ordinary and simply dressed, and considerably older than Goodman Brown. He looks enough like Goodman Brown that the two could be mistaken for father and son. Despite their similar appearance, the older man seems more worldly and at ease than Goodman Brown, as if he could sit comfortably at the dinner table of a governor or in the court of a King.
And one might argue here that the story of Goodman Brown is one of gaining knowledge of good and evil, of learning that good and evil are not always visible simply by their appearance and so can lurk anywhere.
At the end of the story, Goodman Brown must try to live in the world with this new knowledge. Sensing that Goodman Brown is tiring, the man offers him his staff to help pick up the pace. Goodman Brown refuses and begins to make his case for turning back toward home: he had agreed to meet up with the man in the forest tonight, nothing more, and he kept his word. The man suggests that they start walking, and that he will try to convince Goodman Brown while they walk.
Goodman Brown points out that nobody in his family, all good Christians, had ever agreed to meet up with a mysterious man in the woods at night, and he has no intentions of being the first. Goodman Brown must choose whether to continue onward or turn back, the same choice he had to make at the threshold of his house. Once again, his family connections seem to urge him to turn back and stay in town; this time, instead of Faith asking him to stay in town, he thinks of the many generations of upright Puritans that came before him who would have wanted him to turn back.
He believes that all his relatives have been saintly, and the idea of being the first sinner horrifies him. This is important, because it means that he measures his own goodness against the goodness of his community, not against an absolute sense of right and wrong; he wants to do good in order to fit into his community, not in order to be moral or devout.
Saints vs. Goodman Brown wonders why his father and grandfather never told him about their relationship with the man, but he immediately changes his mind and realizes that if there had been any bad rumors about them, they would have been kicked out of New England, since the community is so holy. However, he understands that in Salem, it is even more important to seem saintly than it is to be saintly, and that the community would have responded to rumors of sin with ostracism, not mercy.
At this point, though, Goodman Brown still believes that the community at large is so anti-sin because it is holy. The man bursts into violent laughter, and his staff seems to wiggle along. Yet Goodman continues to believe that even if his own family and the unapproachable Puritan leaders might be sinners, at least the people and immediate leaders of his own community are good. When the man laughs at this, too, Goodman continues to believe that Faith, at least, is saintly and honest.
As the man speaks, someone comes into sight on the path ahead: Goody Cloyse , a pious old woman who taught Goodman Brown his catechism. She is moving very quickly for such an old woman, and mumbling something as she walks, perhaps a prayer.
Goodman Brown is surprised to see her in the woods so late at night. To avoid being seen and questioned about his journey with the man , he hides in the woods. The man continues on the path alone. Goodman Brown is as hypocritical as his father and grandfather; he wants to be thought of as good, and so he steps into the forest to avoid being seen by Goody Cloyse. His fear of the forest, and of whatever supernatural beings it might hide, is not as strong as his fear of being thought a sinner.
Of course, one can also recognize that Good Cloyse also only lets down her appearance of goodness when she is in the forest; after all, Goodman Brown thought her unimpeachably good for all these years.
When Goodman Brown looks again, Goody Cloyse and the staff are gone. Goodman Brown and the devil walk on together. The narrator says that the devil argues very persuasively for continuing onward, and urges Goodman Brown to hurry.
Unworried, the devil leaves Goodman Brown the maple staff to use if he decides to continue on his own. Goodman Brown sits for a moment, happy not to have to return to town and face the minister and Deacon Gookin with a guilty conscience, and happy to be able to sleep well when he gets home. Yet note once again that even as he resists the devil the relief he feels is a relief of having avoided the guilt of facing his saintly community, as opposed to a relief of having actually been saintly himself.
Just then, Goodman Brown hears horsemen approaching. He feels guilty for being in the forest and so hides behind the trees again. The deacon expresses excitement for a meeting that night, and says that there will be people there from all over New England, as well as some Indians who know a lot about deviltry and a young woman who will be inducted. He begins to doubt if there is a heaven, but he looks up at the starry sky and vows that he will still resist the devil.
He lifts his hands to pray. The revelation that the minister and Deacon Gookin are also hypocrites horrifies him: even more than Goody Cloyse and the past generations of Browns, the minister and deacon are supposed to exemplify piousness and lead the Puritan community and not feeling guilt when he saw them was a motivating factor in his motivation to resist the devil.
Though the surrounding nature has gotten darker and more ominous as Goodman Brown walked deeper into the woods, his desperation makes him turn to nature: he leans against a tree, and looks to the stars for a reminder of heaven, as if the stars could guide him now that the minister and deacon no longer can. A mysterious dark cloud races across the sky above him, hiding the stars, and from it he hears a murmur of voices. The voices go away, then come back. The other voices seem to be encouraging Faith onward.
Goodman Brown cries out her name three times and hears a scream in reply, followed by distant laughter, before her pink ribbon drifts down from the sky and catches on a tree branch. Goodman Brown snatches the ribbon. The narrator describes Goodman Brown as a terrifying, crazed figure, and though the forest is full of terrifying sounds, Goodman Brown is the scariest thing in the forest, laughing and swearing and shouting as he runs.
Suddenly he sees a red light and hears a familiar hymn sung with sinful lyrics by wild voices. He finds himself near a clearing in which a rock serves as a pulpit and four blazing pine trees illuminate a vast congregation of supposedly pious townspeople, dissolute criminals, and Indian priests. But he does not yet enter the clearing and join the throng, and the possibility that Faith might not be there keeps him from declaring himself a sinner.
The blasphemous hymn ends with a sound like roaring wind and howling beasts, the pine trees burn brighter, and a figure appears at the pulpit. A voice calls for the converts to come forward. Goodman Brown steps out of the forest.
Lore is a podcast about non-fiction scary stories. Each episode examines historical events that show the dark side of human nature usually through the lens of folklore and is presented in a style that's been compared to a campfire experience. The series was created in by Aaron Mahnke as a marketing experiment  and received the iTunes "Best of " Award. The podcast airs on a bi-weekly basis, and is usually released on a Monday. The podcast is recorded in a studio in Mahnke's home office. Each podcast episode features various stories bound together by a common theme.
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Henson passed away in 96 (found out in "More Kentucky Ghosts" another excellent read). When reading his first book I kept thinking that he lived in Kentucky with.
At the top of the altar was a hollow bronze bull, designed for human sacrifice. Renner describes the method of execution suffered by antipas. Kristina balla is known for her work on above suspicion , devil's hollow and tragedy girls
Young Goodman Brown. Plot Summary. Sinners Family and Individual Choice. LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does.
This is a list of locations in the United States which have been reported to be haunted by ghosts or other supernatural beings, including demons. California is the location of many supposedly haunted locations. There are several reputedly haunted sites in Indiana, including the Culbertson Mansion in the former shipbuilding town New Albany. There are a number of Reportedly haunted locations in Oregon. Reported hauntings in the state are linked to such historic places as the Oregon Trail and early coastal communities, as well as the history of Portland , the state's largest city and metropolitan area , which was considered one of the most dangerous port cities in the world at the beginning of the 20th century. Allegedly haunted locales in Portland include the Bagdad Theater , a vaudeville theater built by Universal Studios during ; Pittock Mansion , a mansion overlooking the city; the Roseland Theater , a former church and music venue ; and the city's Portland Underground or so-called shanghai tunnels ,  made up of various passages beneath the streets of northwest Portland that were used to smuggle prostitutes and sailors onto ships in the port, where they were often sold into slavery or forced labor.
May Return to Main Page. Weird Hawaii. In his book Obake Files, Ghostly Encounters in Supernatural Hawaii Mutual Publishing Company, Grant writes: On some evenings the villagers could hear a cry emanate from the pond in the middle of the night At first most everyone believed that the haunting cry was the wind blowing through the tall sugar cane fields. One of the advantages of ebooks is that you can download by Glen Grant Obake Files: Ghostly Encounters In Supernatural Hawai'I Chicken Skin Series pdf along with hundreds of other books into your device and adjust the font size, the brightness of the backlight, and other parameters to make the reading comfortable. Obake Files book Read 11 reviews from the world's largest community for readers This is the first and most complete collection on modern Hawai'i ghostl. Glen Grant historian - Wikipedia. Glen Grant LibraryThing.
Tragedy at Devils Hollow: And Other Kentucky Ghost Stories Published by Cockrel Corporation Publishers, Bowling Green, KY ().
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